Robert Bell and the Hot Swing Combo with Nancy Harms (website)
The Hot Swing Combo brings a high energy and notably similiar set of
characteristics as the namesake for this event.
Octopus:
In laboratory experiments, octopuses can be readily trained to distinguish
between different shapes and patterns.
Hot Swing Combo:
In dance event performances, the hot swing combo has been readily trained
to distinguish between different styles of jazz and find what shapes and
patterns inspire dancers.
Octopus:
Octopuses move about by crawling or swimming.
Hot Swing Combo:
Hot Swing Combos move about by grooving or swinging.
Octopus:
An autonomic response keeps the octopus's eyes oriented so that the pupil
slit is always horizontal.
Hot Swing Combo:
An autonomic response keeps the hot swing combo's tempos oriented so that
the dancers are always more or less vertical.
Octopus:
Octopuses can eject a thick blackish ink in a large cloud to aid in
escaping from predators.
Hot Swing Combo:
Hot Swing Combos can.... okay NEVER feed beans to the drummer, period.
The Hot Swing Combo will once again present a fresh sound when local vocal
phenom Nancy Harms steps to the mic for her debut with the combo. Past
performance experience for the hot swing combo includes; Cowtown Jamborama
2007, ULHS 2004-2007, MWLF 2005-2007, TCRJR 2008, TCLX 2005, DCLX 2007 and
Hiding in Coral 2006.
Sources: Wikipedia and that guitar player with the piano wire, brass
knuckles and tea tree oil.
Hips Don't Lie (website)
Co-composing an all original repertoire, Tasha Baron and Liz Draper draw elements from their combined eclectic musical backgrounds. Their music draws elements from the electronically produced precision of a drum machine to the sounds of quirky lopsided carnival rides. The music is composed for the timeless arrangement of a piano trio, yet is written and performed with personalized programmed sounds and effects. The acoustic bass and drum set are utilized in ways quite characteristic to that of their role in a traditional jazz trio, but extreme attention is given to exploring the sounds, timbres, range, and personality of the instruments. The songwriting also pays homage to its roots of traditional "American jazz" heritage: structurally having themes and improvised variations (heads and solos) as well as harmonically ranging between definite chord changes, modal and atonal. Also as in the standard practice of "traditional jazz", Hips Don't Lie improvise in the style of popular music of the day. They often don't "swing" their eighth-notes and instead play in rhythmic feelings more closely related to rap, dub, and afro-beat music.
Armadillo Jump (website)
Armadillo Jump has taken the music they love --rockin blues-- and cranked it up. The passion, excitement and energy they pour into the music comes across as something that's fresh and crispy. Mix in a little Texas-style rockin' blues attitude, slather it with moppin' sauce and a generous splash of the hot stuff and my friends, you have a recipe for a show that's unmistakably jumpin'. Have You Been Jumped??
